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Deborah turbeville comme des garcons6/9/2023 ![]() ![]() ![]() ![]() She mixes Japanese culture and European culture very well. “It was a revolution, because the fashion was so different from what was in Paris at the time. This period was an important one for Deborah Turbeville. On May 4, The Costume Institute at the Metropolitan Museum of Art will also open the retrospective exhibition Rei Kawakubo / Comme des Garons: Art of the In-Between. “I’m completely free to do what I want,” he says. As a result, he creates indelible images that perfectly capture the moods of Kawakubo’s darkly romantic work his photography style often makes use of a blurred focus or hazy lighting to match the abstract spirit.Īs the brand’s go-to documentarian, Roversi has seen Kawakubo’s work transform and evolve, but he says a sense of innovation has always been present in her theatrical designs, which often seem more like art pieces than wearable garments. This exhibition presents Deborah Turbeville’s photographs from her Comme des Garons photo shoot for Italian VOGUE in 1981. “I started doing catalogs with Rei in the ’80s, and then every season I started with them,” Roversi says. After four decades, the famously elusive designer and the photographer have a true partnership. He first met designer Rei Kawakubo in Paris in the ’80s and has continued to photograph her artful collections over the years. Italian fashion photographer Paolo Roversi is one of Comme des Garçons’s closest collaborators. ![]()
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